6: Daniel interviews friend & writer Chang-Rae Lee, author “Native Speaker” and “The Surrendered.” Find out why he chose a profession as a writer and professor, and why it isn’t pretentious to be emotionally involved in your work.
The Poem of the Week is Denise Levertov’s “In California During the Gulf War,” read by Benjamin Saenz.
And, in this week’s Poetic License, poet Michael Luis Medrano ponders the Second Book Blues.

Chang-rae Lee, the first Korean-American novelist to be published by a major press, focuses on the experiences of first-and second-generation immigrants. His novels explore the nuances of intergenerational relations, the problems of assimilation, and the relationship of culture and memory to identity. While these concerns link him to other contemporary Asian-American writers, Lee's fiction also draws heavily on other influences. Lee experiments with form in his first novel, Native Speaker, which is part detective story, part minimalist chronicle of a failing marriage, reminiscent of John Updike. His prose style has been compared to that of both John Cheever and Kazuo Ishiguro.
(Taken from http://biography.jrank.org/pages/4525/Lee-Chang-rae.html)
His "prose style" in Native Speaker is filled with sentence fragments. I wish I could make hundreds of thousands of dollars, win bullshit literary awards and get major publishing house success by writing like a 5 year-old.
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